Keywords
Aesthetics
Interactivity
Art
Transformation
Contemporary art
Virtual aesthetics
How to Cite
Abstract
The purpose of the study is to provide a comprehensive analysis of digitalisation changes in contemporary art through the prism of interactive technologies and virtual aesthetics. The research methods include content analysis of scientific works. The main criteria for selecting the literature were the relevance of the methodology and its inclusion in modern ranking scient metric databases. The scientific novelty lies in the study of the digital revolution in art as a complex cultural and technological phenomenon, taking into account not only current digitalisation changes but also their impact on the interaction between the creator and the viewer. The study found that the digital space in art represents a wide range of technologies and tools used by artists to create and visualise their unique creative solutions. One of the important components of the digital system is computer programs focused on creating graphics, digital resources, and platforms for video and audio processing, virtual and augmented reality technologies, artificial intelligence, etc. These software tools expand the possibilities of artists, opening up new horizons for them, allowing them to create and perform works that are unattainable without the use of digital technologies. The conclusions emphasise that interactivity and virtual aesthetics not only transform the process of art creation but also deeply rethink the communication between the viewer and the creator. The viewer becomes not just an observer, but an active participant in the creative process, which opens up new paradigms for the study of creative expression, enriching the process of creating and understanding art.
References
CEAUȘU, F. 3. Artistic Education and Creative Art-Therapy. Review of Artistic Education, v. 26, n. 1, p. 236-241, 2023. Available at: https://doi.org/10.2478/rae-2023-0033. Accessed on: 15 dec. 2023.
CHIBALASHVIL, Asmati; TYMOFIIENKO, Bohdan. Pertinent concepts of virtual art. ARTISTIC CULTURE. TOPICAL ISSUES, v. 18, n. 2, p. 50-54, 2022. Available at: https://doi.org/10.31500/1992-5514.18(2).2022.269780. Accessed on: 16 dec. 2023.
CONGREVE, A. Public Art in British New Towns: The Past, Present and Future. In: CONGREVE, Alina. Lessons from British and French New Towns: Paradise Lost? [N. d.]: Emerald Publishing Limited, 2020. p. 159-172. ISBN 9781839094316. Available at: https://doi.org/10.1108/978-1-83909-430-920201011. Accessed on: 16 dec. 2023.
CROWTHER, P. The Emergence of Digital Art. In: CROWTHER, Paul. Digital Art, Aesthetic Creation. New York : Routledge, 2019. | Series: Routledge advances in art and visual studies: Routledge, 2018. p. 36-63. ISBN 9780429467943. Available at: https://doi.org/10.4324/9780429467943-4. Accessed on: 16 dec. 2023.
DAI, Y. Digital Art Into the Design of Cultural and Creative Products. Journal of Physics: Conference Series, v. 1852, n. 3, p. 032042, 2021. Available at: https://doi.org/10.1088/1742-6596/1852/3/032042. Accessed on: 16 dec. 2023.
DIODATO, Roberto. Virtual Reality and Aesthetic Experience. Philosophies, v. 7, n. 2, p. 29, 8 March. 2022. Available at: https://doi.org/10.3390/philosophies7020029. Accessed on: 16 dec. 2023.
ELKHESHEN, G. E. Digital Revolution and Ideologies of Thought and Creativity in Graphic Arts. Journal of Art & Architecture Research Studies - JAARS, v. 1, n. 1, p. 157-171, 2020. Available at: https://doi.org/10.47436/jaarsfa.v1i1.27. Accessed on: 16 dec. 2023.
ELVER BOZ, T.; DEMIRKAN, H.; URGEN, B. A. Visual perception of the built environment in virtual reality: A systematic characterization of human aesthetic experience in spaces with curved boundaries. Psychology of Aesthetics, Creativity, and the Arts, 2022. Available at: https://doi.org/10.1037/aca0000504. Accessed on: 16 dec. 2023.
GIANNINI, T.; BOWEN, J. P. Museums and Digital Culture: From Reality to Digitality in the Age of COVID-19. Heritage, v. 5, n. 1, p. 192-214, 2022. Available at: https://doi.org/10.3390/heritage5010011. Accessed on: 16 dec. 2023.
GRONLUND, M. Contemporary Art and Digital Culture. New York : Routledge, 2016.: Routledge, 2016. Digital book. ISBN 9781315676852. Available at: https://doi.org/10.4324/9781315676852. Accessed on: 16 dec. 2023.
JAILLANT, L. After the digital revolution: working with emails and born-digital records in literary and publishers’ archives. Archives and Manuscripts, v. 47, n. 3, p. 285-304, 2019. Available at: https://doi.org/10.1080/01576895.2019.1640555. Accessed on: 16 dec. 2023.
LAZZERETTI, L. What is the role of culture facing the digital revolution challenge? Some reflections for a research agenda. European Planning Studies, p. 1-21, 2020. Available at: https://doi.org/10.1080/09654313.2020.1836133. Accessed on: 16 dec. 2023.
LEITÃO, C. Inceptive Reality. In: LEITÃO, Carla. Virtual Aesthetics in Architecture. New York: Routledge, 2021. p. 142-149. Available at: https://doi.org/10.4324/9781003183105-22. Accessed on: 16 dec. 2023.
LUGHI, G. Digital Media and Contemporary Art. Mimesis Journal, v. 3, n. 2, p. 43-52, 2014. Available at: https://doi.org/10.4000/mimesis.686. Accessed on: 16 dec. 2023.
MARAIEVA, U. On the formation of a new information worldview of the future (literature review). Futurity Philosophy, v. 1, n. 1, p. 18–29, 2022. Available at: https://doi.org/10.57125/FP.2022.03.30.02 Accessed on: 15 dec. 2023.
MUTIBWA, DH. Contemporary expressions of arts and culture as protest: consonance, dissonance, paradox and opportunities for community development? In: MUTIBWA, Daniel H. Arts, Culture and Community Development. [N. d.]: Policy Press, 2021. p. 89-110. Available at: https://doi.org/10.1332/policypress/9781447340508.003.0006. Accessed on: 16 dec. 2023.
OLIVEIRA, F. d. S.; FILHO, C. d. M. Data-Art-Science: Art Trhought Data Visualization. In: 2022 THIRD INTERNATIONAL CONFERENCE ON DIGITAL CREATION IN ARTS, MEDIA AND TECHNOLOGY (ARTEFACTO), 2022, Macao, Macao. 2022 Third International Conference on Digital Creation in Arts, Media and Technology (ARTeFACTo). [N.d.]: IEEE, 2022. Available at: https://doi.org/10.1109/artefacto57448.2022.10061247. Accessed on: 16 dec. 2023.
POPYUK, I. Integration of art education in ukraine and europe in the late xxth toearly xxist century (by way ofexample of artistic metalworking). In: POPYUK, Illia. Innovative scientific researches: european development trends and regional aspect. [N. d.]: Publishing House “Baltija Publishing”, 2020. ISBN 9789934588389. Available at: https://doi.org/10.30525/978-9934-588-38-9-49. Accessed on: 16 dec. 2023.
RAKHIMOV, T. Research on moral issues related to the use of artificial intelligence in modern society. Futurity Philosophy, v. 2, n. 2, p. 30–43, 2022. Available at: https://doi.org/10.57125/FP.2023.06.30.03 Accessed on: 15 dec. 2023.
RUSAKOV, S. S.; BIEDIN, A. V. Digital ecosystem in contemporary art. In: RUSAKOV, S. S.; BIEDIN, A. V. DIGITAL TRANSFORMATIONS IN CULTURE. [N. d.]: Izdevnieciba “Baltija Publishing”, 2023. p. 34-39. ISBN 9789934263194. Available at: https://doi.org/10.30525/978-9934-26-319-4-3. Accessed on: 16 dec. 2023.
RUSAKOV, S.; VOROZHEIKIN, Y. Art fairs in the context of virtualization. In: RUSAKOV, Serhii Serhiyovych; VOROZHEIKIN, Yevhen Petrovych. Challenges and prospects of the interaction between culture, science and arts in the modern context. [N. d.]: Izdevnieciba “Baltija Publishing”, 2022. p. 189-209. Available at: https://doi.org/10.30525/978-9934-26-206-7-10. Accessed on: 16 dec. 2023.
SANAKUIEV, M. The Value of Knowledge in the Age of Globalization Challenges: Philosophical and Intellectual Context. Futurity Philosophy, v. 1, n. 2, p. 42–54, 2022. Available at: https://doi.org/10.57125/FP.2022.06.30.04 Accessed on: 15 dec. 2023.
SCHIUMA, G. Arts catalyst of creative organisations for the fourth industrial revolution. Journal of Open Innovation: Technology, Market, and Complexity, v. 3, n. 1, 2017. Available at: https://doi.org/10.1186/s40852-017-0072-1. Accessed on: 16 dec. 2023.
SHANKEN, Edward A. Contemporary Art and New Media. In: SHANKEN, Edward A. A Companion to Digital Art. Hoboken, NJ: John Wiley & Sons, Inc, 2016. p. 461-481. ISBN 9781118475249. Available at: https://doi.org/10.1002/9781118475249.ch21. Accessed on: 16 dec. 2023.
SKAKUN, I. Philosophical and methodological prospects for the future of synergetics in the scientific picture of the world. Futurity Philosophy, v. 1, n. 4, p. 42–53, 2022. Available at: https://doi.org/10.57125/FP.2022.12.30.04 Accessed on: 15 dec. 2023.
SOFILKANYCH, M. The formation of a new information culture of the future: the socio-philosophical content. Futurity Philosophy, v. 1. n. 1, p. 56–67, 2022. Available at: https://doi.org/10.57125/FP.2022.03.30.05 Accessed on: 15 dec. 2023.
SONG, Y. Modelling and analysis of aesthetic characteristics using digital technology in artworks. International Journal of Modelling, Identification and Control, v. 38, n. 3/4, p. 320, 2021. Available at: https://doi.org/10.1504/ijmic.2021.123371. Accessed on: 16 dec. 2023.
SOREANU, C. New Media Art: Aligning Artistic Creativity And Technological Media. Review of Artistic Education, v. 22, n. 1, p. 206-216, 2021. Available at: https://doi.org/10.2478/rae-2021-0026. Accessed on: 16 dec. 2023.
SPARTIN, Lark; DESNOYERS-STEWART, J. Digital Relationality: relational aesthetics in contemporary interactive art. In: PROCEEDINGS OF EVA LONDON 2022. Proceedings of EVA London 2022. [N. d.]: BCS Learning & Development, 2022. Available at: https://doi.org/10.14236/ewic/eva2022.29. Accessed on: 16 dec. 2023.
TVRDIŠIĆ, S. The Impacts of Digitalization on Traditional Forms of Art. AM Journal of Art and Media Studies, v. 27, p. 87-101, 2022. Available at: https://doi.org/10.25038/am.v0i28.502. Accessed on: 16 dec. 2023.
WAHL, H. An Essay About the Impact of the Digital Revolution on Higher Education in Art and Design. In: WAHL, Hendrik. Lecture Notes in Computer Science. Cham: Springer International Publishing, 2018. p. 317-333. ISBN 9783319912431. Available at: https://doi.org/10.1007/978-3-319-91244-8_26. Accessed on: 16 dec. 2023.
YANG, J. Chinese contemporary art teachers’ professional development in the 20th and 21st centuries within the multicultural framework. Heritage Science, v. 10, n. 1, 2022. Available at: https://doi.org/10.1186/s40494-022-00692-8. Accessed on: 16 dec. 2023.
ZHOU, S. Innovative Research on New Media Interactive Art and Visual Communication Design Based on Computer Virtual Reality. Journal of Physics: Conference Series, v. 1648, p. 032043, 2020. Available at: https://doi.org/10.1088/1742-6596/1648/3/032043. Accessed on: 16 dec. 2023.
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
Copyright (c) 2023 Synesis (ISSN 1984-6754)