A MODA COMO SÍMBOLO DE HIERARQUIA SOCIAL: FILOSOFIA DE CONSUMO NA CULTURA DE MASSA
PDF/A (English)

Palavras-chave

Papeis sociais
Cultura de consumo
Consciência de massa
Filosofia da cultura
Valores culturais

Como Citar

Poperechna, G., Pryhoda-Donets, T. ., Nikolenko, K. ., Makarov, Z. ., & Tytar, O. . (2025). A MODA COMO SÍMBOLO DE HIERARQUIA SOCIAL: FILOSOFIA DE CONSUMO NA CULTURA DE MASSA. Synesis (ISSN 1984-6754), 16(4), 159–176. Recuperado de https://seer.ucp.br/seer/index.php/synesis/article/view/3222

Resumo

Este estudo tem como objetivo analisar a moda como um símbolo de hierarquia social e seu papel na formação da filosofia de consumo na cultura de massa. Métodos. O artigo emprega o método de estudo de caso para explorar a moda como um mecanismo social para estabelecer marcadores de status e limites simbólicos entre grupos sociais. A teoria de Simmel serviu de base para entender como a moda equilibra duas tendências opostas - imitação e diferenciação - mantendo assim as hierarquias sociais por meio da autoexpressão visual. Resultados. A análise revelou que a moda é uma ferramenta para manter as hierarquias sociais e serve como meio de integração social. Foi observada uma interação dinâmica entre a alta moda e o estilo de rua, ilustrando como os novos estilos inicialmente ganharam status de elite e se disseminaram entre grupos sociais mais amplos, levando a elite a buscar novas formas de expressão. Conclusões. O estudo destaca a importância da moda como um instrumento de autoidentificação e integração na cultura de massa, permitindo que os indivíduos se sintam únicos e parte de um grupo social. A capacidade da moda de refletir as mudanças sociais e as estruturas da sociedade ressalta sua importância na filosofia do consumo. As descobertas afirmam o papel da moda como um mecanismo para manter a ordem e a integração social e uma ferramenta para entender as transformações contemporâneas nas práticas de consumo e nas interações sociais.

PDF/A (English)

Referências

BERTHON, Magali-An et al. Narrative and Material Tools of Resistance: Mobilizing Textile Crafts, Heritage, and Fashion in the Context of the Invasion of Ukraine (2022–2023). Zea Books, 2024. Available from: https://doi.org/10.32873/unl.dc.zea.1817. Accessed: 19 Nov. 2024.

BRANS, L.; KUIPERS, G. Fashion as ‘force for change’? How ideologization reshapes the work of intermediaries in the legitimation of culture. Cultural Sociology, 2023. DOI: https://doi.org/10.1177/174997552311606.

CHRISTIAN, A. Reflections on popular culture and philosophy. KRITERION – Journal of Philosophy, v. 35, n. 4, p. 335-357, 2022. DOI: https://doi.org/10.1515/krt-2021-0038.

DEVADZE, A.; GECHBAIA, B. Using Virtual Reality in the Educational Process to Increase Students’ Motivation and Interest. E-Learning Innovations Journal, v. 2, n. 2, p. 21–35, 2024. DOI: https://doi.org/10.57125/ELIJ.2024.09.25.02.

DOMAŃSKI, H. Celebryci w strukturze społecznej. Zeszyty Naukowe Katolickiego Uniwersytetu Lubelskiego Jana Pawła II, v. 66, n. 1, p. 5-23, 2023. Available at: https://czasopisma.kul.pl/index.php/znkul/article/view/15008. Accessed: 9 Nov. 2024.

DULCI, L. C. Moda e modas no vestuário: da teoria clássica ao pluralismo do tempo presente. Revista de História (São Paulo), n. 178, a05817, 2019. DOI: https://doi.org/10.11606/issn.2316-9141.rh.2019.137649.

FANG, J. Globalizing the sociology of the arts and culture: East Asian perspectives. The Journal of Chinese Sociology, v. 10, n. 1, p. 8, 2023. DOI: https://doi.org/10.1186/s40711-023-00190-9.

GILSON, É.; GOUHIER, H. Mass Society and Its Culture, and Three Essays concerning Etienne Gilson on Bergson, Christian Philosophy, and Art. 2023. Available at: https://www.amazon.com/Society-Culture-concerning-Christian-Philosophy/dp/1666717924. Accessed: 9 Nov. 2024.

GRONOW, J. Fashion and the individuality of mass consumption. Consumption and Society, v. 3, n. 1, p. 21-36, 2024. DOI: https://doi.org/10.1332/BFET2406.

HALAVSKA, L.; LYTVYNENKO, N.; DZYKOVYCH, T.; PROTSKO, O. Stylization of Ukrainian ornaments in modern knitted products. Tekstilec, v. 65, n. Priloga 1, p. SI23–SI34, 2022. Available at: http://www.tekstilec.si/wp-content/uploads/2013/01/Tekstilec-2022-Priloga-SI1-23-34.pdf. Accessed on: 9 Nov. 2024.

HELLER, E. A psicologia das cores: como as cores afetam a emoção e a razão. São Paulo: Editora Olhares, 2022. Available at: https://www.amazon.com.br/Psicologia-das-cores-afetam-emocao/dp/8565985075. Accessed: [date of access 9.11.24].

HOPPE, A. D. The microsociology of aesthetic evaluation: Selecting runway fashion models. Qualitative Sociology, p. 1-25, 2021. DOI: https://link.springer.com/article/10.1007/s11133-021-09496-x.

IKWUKA, Obiageli Ifeoma et al. Teacher’s Attitude towards the Use of Digital Technologies for Capturing Students’ Data in Secondary Schools in Imo State, Nigeria. Futurity of Social Sciences, vol. 2, no. 4, p. 39-59, 24 Sept. 2024. Available from: https://doi.org/10.57125/fs.2024.12.20.03. Accessed: 19 Nov. 2024.

KANG, E. J. Fashion and philosophy: an overview. In: A Dialectical Journey through Fashion and Philosophy, p. 1-24, 2019. Available at: https://link.springer.com/chapter/10.1007/978-981-15-0814-1_1. Accessed on: 8 Nov. 2024.

LAKOMY, M. Influencer–media novi hominem. Perspektywy Kultury, v. 39, n. 4, p. 179-194, 2022. DOI: https://doi.org/10.35765/pk.2022.3904.14.

LETOURNEUX, M.; PASSINI, M. Culture de masse et haute culture « à la française »: les circulations oubliées. In: D'ici et d'ailleurs. Histoires globales de la France contemporaine, p. 285-330, 2021. Available at: https://hal.science/hal-04337619/document. Accessed on: 9 Nov. 2024.

MARUKHOVSKA-KARTUNOVA, O.; MARUKHOVSKYI, O.; PLAKHTIY, M.; SULIATYTSKA, T.; BEREZHNA, M. Social philosophy of mass communication: interaction of media, politics and culture. Synesis, v. 16, n. 2, p. 108–121, 2024a. Available at: https://seer.ucp.br/seer/index.php/synesis/article/view/3049. Accessed on: 9 Nov. 2024.

MARUKHOVSKА-KARTUNOVA, Olga et al. Historical and cultural dimensions of the philosophy of the future: globalisation and identity. Futurity Philosophy, vol. 3, no. 4, p. 20-33, 16 Sept. 2024b. Available from: https://doi.org/10.57125/fp.2024.12.30.02. Accessed: 19 Nov. 2024.

MISHALOVA, O.; HORDIICHUK, O.; SOKOLOVSKYI, O. Russia’s War in Ukraine as a “War for Identity” and Appropriation of Cultural Tradition. Ethics in Progress, v. 15, n. 1, p. 73-94, 2024. Available at: https://www.ceeol.com/search/article-detail?id=1256522. Accessed on: 9 Nov. 2024.

MOHAMMADI, J.; NOORI, S. Fashion and the struggle over the public body. Women's Studies Sociological and Psychological, v. 20, n. 4, p. 37-67, 2023. DOI: https://doi.org/10.22051/jwsps.2022.38956.2556.

MOORE, C. Celebrity pastors’ designer fashion representations on Instagram: A qualitative star studies analysis applying the sociology of impression management, visual communication, and semiotics. Doctoral dissertation, Regent University, 2023. DOI: https://doi.org/10.2752/9781472572424.

MORA, E. The culture/class broths where women’s desires and tastes are marinated-Katherine Appleford, Classifying Fashion, Fashioning Class. Making Sense of Women’s Practices, Perceptions and Tastes, Routledge, London & New York, 2021. European Journal of Sociology/Archives Européennes de Sociologie, v. 64, n. 3, p. 439-446, 2023. DOI: https://doi.org/10.1017/S0003975623000589.

NAN, L.; COB, S. A. B. C. Axiological Analysis of Japanese Poster Art: Exploring the Influence of Pop Culture and Consumerism. Cultura: International Journal of Philosophy of Culture and Axiology, v. 21, n. 1, 2024. Available at: https://culturajournal.com/. Accessed on: 8 Nov. 2024.

NIEDŹWIEDŹ, A. Afrykański strój, europejskie tkaniny i katolicka moda w Ghanie. In: Wymiary antropologicznego poznawania Afryki. Szkice z badań ostatnich, p. 101-128. Warszawa: Wydawnictwa Uniwersytetu Warszawskiego, 2022. Available at: https://www.ceeol.com/search/chapter-detail?id=1109209. Accessed on: 9 Nov. 2024.

OLIYNYK, M. An academic study of clothing ethnoculture and modern clothes production: interaction practices in Ukraine. Acta Ethnographica Hungarica, v. 66, n. 2, p. 517-542, 2023. DOI: https://doi.org/10.1556/022.2021.00027.

OZIMSKA, J. Sposoby konstruowania pojęcia męskości w wybranych włoskich czasopismach dla mężczyzn w świetle teorii płci kulturowej RW Connell. Scripta Neophilologica Posnaniensia, v. 23, n. 1, p. 27-47, 2023. Available at: https://www.ceeol.com/search/article-detail?id=1221722. Accessed on: 9 Nov. 2024.

PADMANABHAN, S. Hegelian legacy of aesthetics: theory of art versus philosophy of art. Journal of Indian Council of Philosophical Research, v. 40, n. 3, p. 305-321, 2023. Available at: https://link.springer.com/article/10.1007/s40961-023-00312-1. Accessed on: 8 Nov. 2024.

PESQUEUX, Y. Culture et organisation: l'ambiguïté de la notion de culture. 2020. Available at: https://shs.hal.science/halshs-02835478/. Accessed on: 8 Nov. 2024.

POLIAK, Anastasiya. Doville meets: Chanel FW 2024/25 collection. 7 Mar. 2024. Available from: https://elle.ua/moda/fashion-blog/dovil-zustrichae-kolekciya-chanel-fw-202425/. Accessed: 18 Nov. 2024.

RIABOVA, T. et al. Features of digital marketing in the era of globalisation: analysis of challenges. Problems of Theory and Practice of Financial and Credit Activities, v. 6, n. 47, p. 160-171, 30 Dec. 2022. DOI: https://doi.org/10.55643/fcaptp.6.47.2022.3940. Accessed on: 19 Nov. 2024.

ROBINSON, T. Comfort or style?: Fashioning ourselves to fit the post-pandemic world. The Sociological Review Magazine, 2023. Available at: https://thesociologicalreview.org/magazine/june-2022/clothes/comfort-or-style/. Accessed on: 8 Nov. 2024.

RODINOVA, N. et al. Ukrainian economy in the era of digital branding: risks and opportunities. Futurity Economics & Law, v. 4, n. 4, p. 4–24, 2024. DOI: https://doi.org/10.57125/FEL.2024.12.25.01.

SENOOANE, B.; WIID, J. Bringing children into the sociology of consumption: a symbolic consumption perspective. Journal of Marketing and Consumer Behaviour in Emerging Markets, v. 2, n. 17, p. 46-65, 2023. DOI: https://www.ceeol.com/search/article-detail?id=1213496.

SIMMEL, G. Georg Simmel: essays on art and aesthetics. Chicago: University of Chicago Press, 2020. Available at: https://press.uchicago.edu/ucp/books/book/chicago/G/bo50270658.html. Accessed on: 8 Nov. 2024.

SINNERBRINK, R. A philosophy of cultural modernity: Márkus’s contribution to the philosophy of culture. Thesis Eleven, v. 160, n. 1, p. 73-83, 2020. DOI: https://doi.org/10.1177/07255136209599.

STIEGLER, B.; ROUSSOW, J. Suffocated desire, or how the culture industry destroys the individual: contribution to a theory of mass consumption. Parrhesia: A Journal of Critical Philosophy, n. 34, 2020. Available at: https://parrhesiajournal.org/parrhesia13/parrhesia13_steigler.pdf. Accessed on: 8 Nov. 2024.

TIURINA, A. et al. Problems and prospects of human capital development in post-industrial society. Postmodern Openings, v. 13, n. 3, p. 412-424, 2022. DOI: https://doi.org/10.18662/po/13.3/497.

VERES, B. Pragmatism, critical theory, pop culture, and fashion: interview with Stefano Marino. ZoneModa Journal, v. 12, n. 1, p. 213-218, 2022. DOI: https://doi.org/10.6092/issn.2611-0563/15050.

ZAŁĘSKA, O. Strój jako narzędzie propagowania mieszczańskiego habitusu–analiza artykułów Barbary Hoff w „Przekroju”. Studia Etnologiczne i Antropologiczne, v. 2, n. 22, p. 1-16, 2022. Available at: https://www.ceeol.com/search/article-detail?id=1222148. Accessed on: 9 Nov. 2024.

ZHYLIN, Mykhailo et al. Philosophy of mass culture and consumer society: worldview emphasis. Revista Amazonia Investiga, vol. 12, no. 65, p. 256-264, 30 June 2023. Available from: https://doi.org/10.34069/ai/2023.65.05.24. Accessed: 19 Nov. 2024.

Creative Commons License

Este trabalho está licenciado sob uma licença Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.

Copyright (c) 2024 Synesis (ISSN 1984-6754)

Downloads

Não há dados estatísticos.