Abstract
This study aims to investigate the philosophical foundations underlying the stylistic evolution of modern Ukrainian musical art, particularly in relation to national identity, global influences, and socio-political events. To achieve this goal, a comprehensive approach combining qualitative and quantitative research methods was employed, including historical analysis, comparative analysis, and content analysis of musical scores and performance data. The findings reveal that contemporary Ukrainian music reflects a dynamic interplay between traditional motifs and modern techniques, especially in the context of recent crises such as the ongoing war to the territory of independent Ukraine. Notably, composers like Myroslav Skoryk and Yevhen Stankovych integrate Ukrainian folk elements, historical narratives, and contemporary innovations in their works, emphasizing the importance of cultural identity. This research also highlights the role of music as a tool for cultural diplomacy, enhancing Ukraine’s global presence. Also the study contributes new insights into the unique characteristics of Ukrainian musical art, showing how it navigates the challenges of globalization while maintaining its cultural roots. Overall, this research underscores the significance of understanding the stylistic evolution of contemporary Ukrainian music as a reflection of the nation’s historical memory and cultural resilience, offering valuable perspectives for future studies in musicology and cultural studies.
References
ASTALOSH, G. Postmodern Accents in the Works of Ukrainian Composers of the Late XX Century. Revista Românească pentru Educaţie Multidimensională, v. 15, n. 2, p. 324-341, 2023. Available at: https://www.ceeol.com/search/article-detail?id=1136162. Accessed on: 22 sep. 2024.
BACHYNSKYI, O. Mechanism for the Formation and Implementation of HR Policy: The Global Experience. Futurity of Social Sciences, v. 2, n. 2, p. 62–78, 2024. Available at: https://doi.org/10.57125/FS.2024.06.20.04. Accessed on: 21 sep. 2024.
BAHRY, R. Rock culture and rock music in Ukraine. In: Rocking the state. Routledge, p. 243-296, 2019. Available at: https://www.taylorfrancis.com/chapters/edit/10.4324/9780429304934-11/rock-culture-rock-music-ukraine-romana-bahry. Accessed on: 27 sep. 2024.
BATOVSKA, O.; BYELIK-ZOLOTARYOVA, N.; IVANOVA, J. Modern Global Trends in the Development of Choral Performance. Studia Universitatis Babeș-Bolyai Musica, p. 235-256, 2023. Available at: https://www.ceeol.com/search/article-detail?id=1212775. Accessed on: 23 sep. 2024.
BATSTONE, L. “Every Kind of Art Began to Flourish”: Ukrainian music in the modernist context. Scientific herald of Tchaikovsky National Music Academy of Ukraine, n. 136, p. 49-59, 2023. Available at: http://naukvisnyknmau.com.ua/article/view/276554. Accessed on: 22 sep. 2024.
BELIKOVA, V. Ukrainian music culture in the context of modern policultural space. Sciences of Europe, n. 37-3 (37), p. 15-19, 2019. Available at: https://cyberleninka.ru/article/n/ukrainian-music-culture-in-the-context-of-modern-policultural-space. Accessed on: 27 sep. 2024.
BEREHOVA, O.; VOLKOV, S. Modern Opera of the Late 20th-Early 21st Centuries: World Trends and Ukrainian Realities. Journal of History, Culture & Art Research/Tarih Kültür ve Sanat Arastirmalari Dergisi, v. 9, n. 4, 2020. Available at: https://www.researchgate.net/profile/Olena-Berehova/publication/348216827_Modern_Opera_of_the_Late_20th-Early_21st_Centuries_World_Trends_and_Ukrainian_Realities/links/5ff450b4a6fdccdcb82f0153/Modern-Opera-of-the-Late-20th-Early-21st-Centuries-World-Trends-and-Ukrainian-Realities.pdf. Accessed on: 23 sep. 2024.
BHANDARI, M. Past and Present of Social Inequality: Analysing Structure and Future Trends. Futurity of Social Sciences, v. 1, n. 3, p. 47–60, 2023. Available at: https://doi.org/10.57125/FS.2023.09.20.04. Accessed on: 21 sep. 2024.
CHIBALASHVILI, A. et al. Practices of Visual Arts in the Music of the Twentieth and Early Twenty-First Centuries. Studia Universitatis Babeș-Bolyai Musica, p. 79-101, 2022. Available at: https://www.ceeol.com/search/article-detail?id=1051266. Accessed on: 23 sep. 2024.
DEVTEROV, I.; MARUKHOVSKA-KARTUNOVA, O.; NIKOLENKO, K. The Philosophy of War in Ukrainian Culture: A Past to Present. Futurity Philosophy, v. 2, n. 2, p. 44–56, 2023. Available at: https://doi.org/10.57125/FP.2023.06.30.04. Accessed on: 21 sep. 2024.
DOVZHYNETS, I.; GOVORUKHINA, N.; KOPELIUK, O.; OVCHAR, O.; DRACH, I. Musical projects in Ukraine of the XXI century as trends in contemporary art. Amazonia Investiga, v. 11, n. 54, p. 256-263, 2022. Available at: https://www.amazoniainvestiga.info/index.php/amazonia/article/view/2058. Accessed on: 27 sep. 2024.
DUTCHAK, V. Methodological principles of complex research of Ukrainian Diaspora art. Art criticism: challenges of the XXI century: collective monograph, p. 25-45, 2019. Available at: https://doi.org/10.36059/978-966-397-122-3/25-45. Accessed on: 22 sep. 2024.
ECONOMIC TRUTH. Away from Moscow: How Ukrainians’ Music Preferences Have Changed on YouTube, 2023. Available at: https://www.epravda.com.ua/weeklycharts/2023/09/7/704048/. Accessed on: 27 sep. 2024.
GOVORUKHINA, N. et al. Style as a topical category of modern musicology and music education. Studia Universitatis Babeș-Bolyai Musica, p. 49-67, 2021. Available at: https://www.ceeol.com/search/article-detail?id=1006125. Accessed on: 22 sep. 2024.
HRUZEVSKYI, O. Systematic Analysis of the Impact of the Military Conflict on the Distance Education System in Ukraine. E-Learning Innovations Journal, v. 1, n. 1, p. 71–87, 2023. Available at: https://doi.org/10.57125/ELIJ.2023.03.25.04. Accessed on: 21 sep. 2024.
KABLOVA, T.; TETERIA, V. Popular song creativity in the socio-cultural context. Journal of History, Culture & Art Research, Ankara, v. 9, n. 3, p. 1-15, 2020. Available at: https://openurl.ebsco.com/EPDB%3Agcd%3A7%3A17026215/detailv2?sid=ebsco%3Aplink%3Ascholar&id=ebsco%3Agcd%3A146350663&crl=c. Accessed on: 23 sep. 2024.
KALASHNYK, M. et al. The role of the musical-acoustic thesaurus in the process of orientation in a given space-time. Linguistics and Culture Review, v. 5, n. S4, p. 139-148, 2021. Available at: http://lingcure.org/index.php/journal/article/view/1568. Accessed on: 23 sep. 2024.
KAPLIYENKO-ILIUK, Y. Dynamics of the Level Formation of Style Hierarchy in Musical Art. Studia Universitatis Babes-Bolyai-Musica, v. 66, n. 1, p. 109-124, 2021. Available at: https://www.ceeol.com/search/article-detail?id=964925. Accessed on: 22 sep. 2024.
KICHURCHAK, M. Evaluation of cultural sphere development in the European Union countries as a factor of forming social capital and creative industries: experience for Ukraine. Ekonomichnyi chasopys – ХХІ, v. 184, n. 7-8, p. 68-78, 2020. Available at: https://www.ceeol.com/search/article-detail?id=931493. Accessed on: 21 sep. 2024.
KOTLYAR, E. Baroque in national artistic traditions: comparative experience of Jewish and Ukrainian cultures. Revista ARTA, v. 29, n. 1, p. 134-141, 2020. Available at: https://www.ceeol.com/search/article-detail?id=1038451. Accessed on: 23 sep. 2024.
KOVALOVA, M. et al. The digital evolution of art: current trends in the context of the formation and development of metamodernism. Amazonia Investiga, v. 11, n. 56, p. 114-123, 2022. Available at: https://www.amazoniainvestiga.info/index.php/amazonia/article/view/2118. Accessed on: 23 sep. 2024.
KRYNSKI, A.; KIYANOVSKA, L.; STETS, H. Religious thematics in Ukrainian musical culture of the XIXth century: historical prerequisites. East European Historical Bulletin, n. 13, p. 40-49, 2019. Available at: http://eehb.dspu.edu.ua/article/view/188656. Accessed on: 23 sep. 2024.
LASTOVETSKA-SOLANSKA, Z. et al. Ukrainian piano music paradigm of the past and present in the performance dimension. Convergences-Journal of Research and Arts Education, v. 17, n. 33, p. 67-88, 2024. Available at: https://convergencias.ipcb.pt/index.php/convergences/article/view/236. Accessed on: 22 sep. 2024.
LIHUS, M.; LIHUS, O. Music of Ukrainian Poetic Cinema As A Space For Constructing National Identity In Ukrainian Culture. Cinema: Journal of Philosophy and the Moving Image, v. 15, n. 1, p. 31-43, 2023. Available at: https://cinema.fcsh.unl.pt/index.php/revista/article/view/242. Accessed on: 23 sep. 2024.
MARUKHOVSKА-KARTUNOVA, O. et al. The Philosophy of Ancient Culture in the Context of the Evolution of the States of European Culture: An Analysis of the Autonomy of Cultures. Futurity Philosophy, v. 2, n. 1, p. 31–45, 2023. Available at: https://doi.org/10.57125/FP.2023.03.30.03. Accessed on: 21 sep. 2024.
MAYSTRENKO-VAKULENKO, Y. Ukrainian theatrical drawings and sketches of the avant-garde era: Representation of a four-dimensional space-time continuum. Ars & Humanitas, v. 15, n. 1, p. 197-211, 2021. Available at: https://journals.uni-lj.si/arshumanitas/article/view/9562. Accessed on: 22 sep. 2024.
MEDIA DETECTOR. Popularity of Ukrainian Pop Music Continues to Grow, 2016. Available at: https://detector.media/rinok/article/116073/2016-06-15-populyarnist-ukrainskoi-pop-muzyky-postiyno-zrostaie-tns-mmi/. Accessed on: 27 sep. 2024.
MELNYCHUK, M. Symbols of sacred filling of religious musical art of Ukraine. Occasional Papers on Religion in Eastern Europe, v. 41, n. 3, p. 4, 2021. Available at: https://digitalcommons.georgefox.edu/ree/vol41/iss3/4/. Accessed on: 27 sep. 2024.
MOZGALOVA, N.; NOVOSADOVA, A. Genre-style innovations in the oeuvre of modern Ukrainian composers. Baltic Journal of Legal and Social Sciences, n. 4, p. 56-63, 2022. Available at: http://www.baltijapublishing.lv/index.php/bjlss/article/view/1945. Accessed on: 23 sep. 2024.
NESEN, I. Stylistic Heritage of Ukrainian Avant-Garde Theatrical Costume. LOGOS-A Journal of Religion, Philosophy, Comparative Cultural Studies and Art, n. 117, p. 164-178, 2023. Available at: https://www.ceeol.com/search/article-detail?id=1252546. Accessed on: 22 sep. 2024.
NIKOLSKY, A. et al. The overlooked tradition of "personal music" and its place in the evolution of music. Frontiers in Psychology, v. 10, p. 3051, 2020. Available at: https://www.frontiersin.org/articles/10.3389/fpsyg.2019.03051/full. Accessed on: 23 sep. 2024.
NUAM. Statistical Data of the Ukrainian Music Scene, 2024. Available at: https://www.nuam.club/stat. Accessed on: 27 sep. 2024.
OLIINYK, O. The fundamental elements of rhethoric and their impact on music art. Revista Geintec-Gestao Inovacao E Tecnologias, v. 11, n. 4, p. 2443-2458, 2021. Available at: http://revistageintec.net/old/wp-content/uploads/2022/03/2294.pdf. Accessed on: 22 sep. 2024.
ORIEKHOVA, L. et al. The Research of Computer Simulation of Textual Dimension in the Context of the Musical Discourse. Postmodern Openings, v. 13, n. 3, p. 310-322, 2022. Available at: https://www.lumenpublishing.com/journals/index.php/po/article/view/5244. Accessed on: 23 sep. 2024.
PENGFEI, S. Ukrainian Song Folklore in The Context of Current Trends in The Development of Musical Pedagogy. Scientific Journal of Polonia University, v. 39, n. 2, p. 216-222, 2020. Available at: http://pnap.ap.edu.pl/index.php/pnap/article/view/578. Accessed on: 23 sep. 2024.
PETRENKO, G. Specific Features of the Development of Musical Culture and Education in Southern Ukraine in The 2nd Half of The 19th–Beginning of The 20th Century. Scientific Journal of Polonia University, v. 50, n. 1, p. 114-119, 2022. Available at: http://pnap.ap.edu.pl/index.php/pnap/article/view/839. Accessed on: 23 sep. 2024.
POPERECHNA, G. The analysis of the philosophical reflection on education of the future peculiarities. Futurity Philosophy, v. 1, n. 3, p. 40–51, 2022. Available at: https://doi.org/10.57125/FP.2022.09.30.03. Accessed on: 21 sep. 2024.
RAMEL, F. Beyond Bellephonic Sound: Exploring some Musical Diplomacies during the Ukraine War. Global Journal of Human-Social Science, v. 24, n. F1, p. 31-40, 2024. Available at: https://sciencespo.hal.science/hal-04457006/. Accessed on: 23 sep. 2024.
REVA, M.; DEMCHENKO, Y. The Role of Online Psychological Testing in a Learning Process: The Ukrainian Case. E-Learning Innovations Journal, v. 2, n. 1, p. 23–40, 2024. Available at: https://doi.org/10.57125/ELIJ.2024.03.25.02. Accessed on: 21 sep. 2024.
SAMIKOVA, N. Polycultural Trends of Ukrainian Ethno Pop Folk Music of the 21st Century. Scientific Journal of Polonia University, v. 43, n. 6, p. 138-145, 2020. Available at: http://pnap.ap.edu.pl/index.php/pnap/article/view/627. Accessed on: 23 sep. 2024.
SAYED, R. Exploring Cultural Influences on Project Management Approaches in Global Business Development. Futurity of Social Sciences, v. 1, n. 4, p. 38–60, 2023. Available at: https://doi.org/10.57125/FS.2023.12.20.02. Accessed on: 21 sep. 2024.
SEMENNYK, Z. et al. Development of Ukrainian choral art in conditions of digitalization. Revista Amazonia Investiga, v. 11, n. 58, p. 151-160, 2022. Available at: https://dialnet.unirioja.es/servlet/articulo?codigo=8784112. Accessed on: 23 sep. 2024.
SOFILKANYCH, M. The formation of a new information culture of the future: the socio-philosophical content. Futurity Philosophy, v. 1, n. 1, p. 56–67, 2022. Available at: https://doi.org/10.57125/FP.2022.03.30.05. Accessed on: 21 sep. 2024.
SOLANSKA, Z. et al. Genre and style models of contemporary Ukrainian vocal and choral music. Salud, Ciencia y Tecnología-Serie de Conferencias, v. 3, p. 1092-1092, 2024. Available at: https://conferencias.ageditor.ar/index.php/sctconf/article/view/788. Accessed on: 22 sep. 2024.
SOLOMONOVA, O. et al. Interconnection of linguistics and musical art: Specifics of music semantics development. Linguistics and Culture Review, v. 5, n. S4, p. 700-713, 2021. Available at: http://lingcure.org/index.php/journal/article/view/1711. Accessed on: 22 sep. 2024.
VAINOLA, R. Evaluating the Effectiveness of Social Media as a Means of Strengthening Family Values Among Young People. Futurity of Social Sciences, v. 2, n. 4, p. 24–38, 2024. Available at: https://doi.org/10.57125/FS.2024.12.20.02. Accessed on: 21 sep. 2024.
VANIUHA, L. et al. The history of the creation, formation and development of the Museum of Theater, Music and Cinema Arts of Ukraine. History of science and technology, v. 13, n. 1, p. 78-100, 2023. Available at: https://www.hst-journal.com/index.php/hst/article/view/568. Accessed on: 23 sep. 2024.
VASHCHENKO, O. et al. Analysis of musical art trends in Ukraine in the 21st century. Revista Amazonia Investiga, v. 11, n. 56, p. 142-149, 2022. Available at: https://dialnet.unirioja.es/servlet/articulo?codigo=8761544. Accessed on: 22 sep. 2024.
VERESHCHAHINA-BILIAVSKA, O. et al. Musical thinking problems. Thinking Skills and Creativity, v. 46, p. 101138, 2022. Available at: https://www.sciencedirect.com/science/article/pii/S1871187122001407. Accessed on: 23 sep. 2024.
VERESHCHAHINA-BILIAVSKA, O. et al. Anthropological view on the history of musical art. Linguistics and Culture Review, v. 5, n. S2, p. 108-120, 2021. Available at: http://lingcure.org/index.php/journal/article/view/1334. Accessed on: 22 sep. 2024.
YARKO, M. et al. Piano Works of Transcarpathian Composers of the 20th and Early 21st Centuries: The Phenomenon Research Algorithms. Studia Musicologica, v. 63, n. 3-4, p. 209-239, 2023. Available at: https://akjournals.com/view/journals/6/63/3-4/article-p209.xml. Accessed on: 23 sep. 2024.
ZOSIM, O.; RYKHLITSKA, O. Features of Sacred Music in the Context of the Ukrainian Baroque. Religions, v. 13, n. 2, p. 1-10, 2022. Available at: https://elibrary.kubg.edu.ua/id/eprint/40789/. Accessed on: 23 sep. 2024.
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
Copyright (c) 2024 Synesis (ISSN 1984-6754)