INTERTEXTUALITY IN THE WORKS OF ÉMIGRÉ WRITERS OF THE TWENTIETH CENTURY
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Keywords

Intertextual constructions
Ukrainian émigré writers
Text structure
Text within text
Cultural uniqueness
Artistic tastes

How to Cite

Zhovtani, R. ., Lizoň, M. ., Shekhavtsova, S. ., Lobachova, I. ., Pedchenko, S. ., & Komlyk, N. . (2023). INTERTEXTUALITY IN THE WORKS OF ÉMIGRÉ WRITERS OF THE TWENTIETH CENTURY . Synesis (ISSN 1984-6754), 16(1), 61–80. Retrieved from https://seer.ucp.br/seer/index.php/synesis/article/view/2854

Abstract

The article delves into the intricate web of intertextual interactions within the literary works of Ukrainian émigré writers from the twentieth century. These interactions span a spectrum, ranging from superficial incorporation of elements to profound interweaving of texts. This study introduces, for the first time, the concept of the writer's intertextual poetics. The exploration of this concept unfolds along both diachronic and synchronic dimensions, providing a comprehensive perspective on the author's work and its intertextual nuances. The examination of émigré writers' works through the lens of intertextuality contributes to the theoretical framework of Ukrainian literary studies in the context of intertextual communications. Moreover, this approach broadens the scope of research on literary heritage, elucidating its role in the intricate tapestry of Ukrainian and European cultural and literary dialogues during the early twentieth century. The article addresses the fundamental theoretical dimensions of intertext. The author conducts an analysis of the definitions of the terms "intertext" and "intertextuality" within the framework of contemporary literary concepts. Emphasis is placed on the role of intertext as a pivotal mechanism in the interpretation of a literary text, concurrently functioning as a historical source, a "text within a text," and a specific informational code contributing to the creation of a novel literary composition. The author specifically directs attention to the intricacies involved in the development of the "author's intertext," underscoring its role not only in the origination of unique literary images but also in the modification of historical events. This approach is designed to accentuate national identity and the distinctiveness of the Ukrainian people. Ukrainian émigré writers employ intertextuality as a tool to reproduce literary motifs from previously crafted works, employing techniques such as quotation and allusion. Various facets of intertextuality are explored, encompassing its utilization as a playful element, a historical and chronological code, and other modifications. This comprehensive examination aims to shed light on the multifaceted roles and applications of intertextuality within the realm of literary expression.

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