Resumo
O artigo analisa a atuação de Oleksandr Kozarenko no que diz respeito à implementação dos princípios jaguelônicos na construção de sua biografia intelectual. A metodologia da pesquisa consistiu na aplicação do método cultural para a compreensão no círculo cultural geral das linhas especiais da atividade criativa e organizacional, científica e artística, pedagógica e educacional de Oleksandr Kozarenko. Biografias - para delinear a figura de Oleksandr Kozarenko. Método musicológico-analítico - para o estudo de uma tipologia estilística distinta e de ativos historiográficos. A novidade científica da obra reside na descoberta do fenômeno cultural do Jagiellonianismo na construção da biografia intelectual do mais destacado representante da cultura e da arte da Ucrânia, Oleksandr Kozarenko.
Referências
Burkatsky Z. (2004). Instructional and artistic material in the system of forming the mastery of a clarinetist. Abstract of candidate diss. 16.
Androsova, D. (2005). Minimalism in music: direction and principle of thinking: autoref. thesis ... candidate art studies: 17.00.03 "Musical art". Kyiv. 17.
Hysa, O. (2022). Jagiellonianism in Poland and Ukraine as a cultural-historical phenomenon and a factor in university music education of the 20th century. Ternopil: TNPU named after V. Hnatyuk. 98.
Kozarenko, O.V. (2001). Ukrainian national musical language: genesis and modern trends of development: autoref. thesis ... doctor of art history: 17.00.03 "Musical art". Kyiv. 35.
Komenda, O. (2013). "Soncerto Rutheno" by Oleksandr Kozarenko: theme, principles of development, features of drama. Scientific notes of Ternopil National Pedagogical University named after Volodymyr Hnatyuk. Series: Art history. Ternopil: Department of TNPU named after V. Hnatyuk. Vols. 1,10−16.
Markova, D. (1999). Some issues of performance of the musical avant-garde of the 80s and 90s. Scientific Bulletin of the National Mus. Academy of Ukraine named after P. I. Tchaikovsky. Series: Musical performance. Kyiv. Vols. 2,79-87.
Markova, E.N., Smirnova, L.A. (1994). Traditions of historical musicology at the Odessa Conservatory. Odessa: OGK named after A. V. Nezhdanova, 13–21.
Markova, O. (2010). Essays on the history of foreign music of the 1950s-1990s. France. Austria. Germany Italy. Odesa: Printing house. Vol. 1, 128.
Melnyk, L. (2002). Ukrainian Baroque in the proscenium of modern musical art (O. Kozarenko's opera "Time of Repentance"). Bulletin of the Lviv National University named after I. Franko. Series: Art history. Lviv, 2002. Vol. 2, 109-114.
Nazarenko, V. (2009). The Ukrainian page of maestro Malyshevskii. Kyiv: Gazeta Den, August 15. No. 143. P. 1.
Pavlyshyn, S. (1980). Foreign music of the 20th century. Ways of development. Trends. Kyiv: Musical Ukraine. 212.
Pavlyshyn, S. (1993). Composers-lyrics. Kyiv: Music. No. 3, 3−4.
Chekan, Yu. (1996). The musical world of Oleksandr Kozarenko. Kyiv: Music. No. 3, 3, 15.
Shvets-Savytska, N. (2005). In the forties of the composer, pianist and musicologist Oleksandr Kozarenko. Musica humana: coll. articles of the Department of Ukrainian Music Studies. Lviv: Institute of Ukrainian Studies named after I. Krypyakevych of the National Academy of Sciences of Ukraine. Vol. 13. P. 360−365.
Gliński, M. (1931). Witold Maliszewski. On the occasion of being awarded the State Music Award. Music. No. 2, 82–83.
Gwizdalanka, D., Meyer, K. (2005). Lutosławski. The road to maturity. Kraków: PWM. 376.
Panufnik, A. (1987). Composing myself. London: Methuen. 369.
Stuckey, S. (1981). Lutosławski and his music. Cambridge: Cambridge University Press. 252.
Wrocki, E. (1931). Witold Maliszewski. Outline of life and artistic activity. Singer: monthly music magazine. No. 11, November. 145–148.
Podobas I. Mazurka F. (2012). Chopin in the context of Warsaw Biedermeier: autoref. thesis ... candidate art history: 17.00.03 "Musical art", 19.
Muravska O. V. (2010). Essays on the history of foreign musical culture. Odesa: Printing house, 1. 214.
Este trabalho está licenciado sob uma licença Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
Copyright (c) 2023 Synesis (ISSN 1984-6754)