HISTORICAL ASPECTS OF THE RELIGIOUS ART FORMATION
PDF/A

Keywords

Canonicity
Creativity
Religion
Religious art
Religious plot
Sacred

How to Cite

Bondarchuk , Y. ., Datsiuk , N. ., Studnytska , M. ., Bazhenov , O. ., Bazhenov , O. ., & Stadnyk , O. . (2023). HISTORICAL ASPECTS OF THE RELIGIOUS ART FORMATION. Synesis (ISSN 1984-6754), 16(1), 1–15. Retrieved from https://seer.ucp.br/seer/index.php/synesis/article/view/2841

Abstract

The article presents a comprehensive analysis of the transformative nature of the religious and artistic complex within the context of cult practices, highlighting its role as a stable integrated system through a philosophical and religious lens. Both art and religion are characterized as intertwined manifestations of social consciousness and social institutions. The conceptual framework explores the notion of a sacral-ideological system within the artistic-religious complex, delving into its significance within Christianity as a whole and across various denominations. This system plays a crucial role in shaping the distinctiveness and "charismatic" nature of religious behaviors within Christianity. Empirical evidence supports the claim that, regardless of the specific artistic forms employed in Christian religious practices, art is utilized to reinforce the influence of church teachings. It is noteworthy that the sacredness inherent in religion is not solely amplified through artistic means but also generated by the artistic component itself. This adaptation of the static sacred element within Christian religious art to the dynamic and ever-evolving challenges of the world serves to heighten its sacredness. Furthermore, the study establishes that the artistic component of Christian religious worship, acting as a carrier of sacred meanings, transforms the static nature of divine services into a vivid, symbolic, and dynamic process within the context of temple activities. The findings of the study indicate that sacredness, which serves as a defining characteristic of religion, is not solely enhanced by art but also generated through the artistic components themselves. This adaptation process allows for the adjustment of the static nature of sacred elements within Christian religious art to effectively respond to the demands posed by a changing and dynamic world. Furthermore, the research establishes that the artistic component of the Christian religious cult serves as a conduit for sacred content during temple activities. It facilitates the transformation of static liturgical practices into vibrant, tangible, and dynamic processes, thereby elevating them to a qualitatively new level within the realm of social culture.

PDF/A

References

Abramovich, S. D. (2005). Church art. Kyiv, Condor.

Augustin, B. (2013). Daoism and Daoist Art. Available at: http://www.metmuseum.org/toah/hd/daoi/ hd_daoi.htm

Bodak, V. (2005). Religion and culture: mutual influence and interaction. Kyiv, Kolo.

Bodak, V. A. (2005). Theological understanding of the problem of religion and culture: the Christian context. Multiverse. Philosophical almanac, 50. Available at: www.filosof.com.ua

Buenconsejo, C. (2015). Contemporary Religious Art. Available at: https://web.archive.org/web/20150929011640/http://blog.mozaico.net/contemporaryreligious-art

Demidko, O. (2021). History of Fine Art and Architecture. Kyiv, Lira. Available at: https://repository.mdu.in.ua/jspui/handle/123456789/2766

Fed, I. A. (2014). The humanistic and transformative function of sacred art. Multiverse. Philosophical almanac. 44. Available at: www.filosof.com.ua

Halyshich, R. Ya. (2002). Ukrainian church architecture and monumental and decorative art abroad. Lviv, Spolom.

Herchanivska, P. E. (2005). Artistic and Religious Consciousness: The Common and the Distinct. Multiverse. Philosophical almanac. 51. Available at: www.filosof.com.ua

Huntington, S. (2013). The Art of Ancient India. Buddhist, Hindu, Jain. Available at: https://www.google.com/books/edition/The_Art_of_Ancient_India/9g_uDwAAQBAJ?hl=e n&gbpv=1

Kokhanovska, M. (2020). Symbolism of color in Ukrainian icon painting. Wonderful world. Available at: http://dyvensvit.org/cerkva/175-cerkva-statti/2290-symvolika-koloru-v-ukrajinskomu-ikonopysi

Kolodny, A., Lomovyk, B. (Eds) (2006). Religious dictionary. Kyiv, The Fourth Wave.

Melnychuk, M. S. (2013). Suggestive role of art in religion. Humanities studies: coll. of science Drohobyts Ave. state ped. Ivan Franko University, 8.

Melnychuk, M. S. (2013). The phenomenon of the word in the Christian cult. Multiverse: philosopher. alm, 32.

Melnychuk, M. S. (2014). The failure of the "magical" concept of the origin of art. Multiverse: philosopher. alm,40.

Pobozhii, S. I. (2021). History of art: Outline of lectures. Sumy, SDU.

Predko, O. I. (2006). Psychology of religion: formation and establishment of the religious paradigm. Abstract of the dissertation. dock. Philos. of science Kyiv.

Racheeva, L. P. (2016). Religious painting in the system of extraterrestrial art: a cultural and historical aspect. Multiverse. Philosophical almanac, 54. Available at: www.filosof.com.ua

Razumtseva, G. (2017). Moral values of the Ukrainian people and the ritual law of the church in poetic folklore of the 19th century. Ukrainian religious studies, 14.

Shevnyuk, O. L. (2015). Art History: A Study Guide. Kyiv, Education of Ukraine. Available at: http://enpuir.npu.edu.ua/handle/123456789/30160

Shmagalo, R. T. (2013). Encyclopedia of Artistic Culture. Lviv, LNAM.

Shved, Z. V. (2015). Theory and history of religious art in the system of religious knowledge. Sofia. Humanitarian and religious bulletin, 2(4).

Skrypnyk, H. (Ed.) (2006). History of Ukrainian art: in 5 volumes. NAS of Ukraine. Kyiv, Institute of Art History, Folklore, and Ethnology named after M.T. of Rila.

Yakovlev, E. G. (1999). Art and world religions: Education. manual. Kyiv, Higher School.

Yakovlev, E. G. (2009). Art and world religions. Kyiv, Higher School.

Yakunina, K. (2011). Content and functions of religious art. Available at: https://molodyivchenyi.ua/index.php/journal/article/view/1843

Creative Commons License

This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.

Copyright (c) 2023 Synesis (ISSN 1984-6754)

Downloads

Download data is not yet available.